![]() He wanted me to do this gangster style rap hook. But you look so cool to me” and I was like, “I make music” and he was like, “really? Oh, cool” and he invited me to his studio. He met me at a magazine event and he walked up to me like, “I don’t know what you do. It’s funny, because I first started off doing a rap song with a guy named Taz Arnold, when I was fifteen. Phlo: I love the gloom, I’m really not liking the sun a lot. Noisey: It’s really, really hot out here. Which made for a vintage type almost blind date, as opposed to today’s personals, where you can pre-judge someone via a myriad of relevant social networks before deciding whether they’re on the right side of mentally stable to be worth both an appetiser and main meal at Frankie and Benny’s. Stream Indecent Exposure by Iconika on Spotify.To make matters slightly more intimidating for my neurotic brain, I was to be meeting with Phlo Finister, an artist whom I didn't know too much about - beyond the realm of a few track premieres and a fashion spread in VICE - and had no time to prepare in advance for. Phlo Finister is well and truly dead, and she won’t be mourned – long live Iconikaand her xrated xcellence. It’s what makes the title such a great, apt pun these lewd, ‘indecent’ moments of artistic braininess are ultimately engineered to garner the ‘exposure’ Iconika needs to keep “ popping like a pop star”. It’s just one of the amusingly shocking I-can’t-believe-she-just-said-that moments peppered throughout Indecent Exposure. “ I put my pussy on a pedestal, and you can get it if you’ve got a chance” Iconikacockily boasts over “Eyho”’s murky, clamoring beat. “ You was there the day I lost my best friend, I just needed a friend” she heartbreakingly reveals about a seemingly uncaring ex-lover she puts on blast during the closing tearjerker “High Expectations.”Much like Rainbow, “High Expectations”is a reminder that music will always save us and serve as a powerful outlet for even the deepest and darkest tribulation. There’s also an injection of agonizing realness with a poignant reference to the death of Peaches Geldof, who was a close friend of Iconika’s. ![]() The “ I know you like it when I skirt, skirt, skirt, skirt, skirt” line from “Whip It” is just one of Indecent Exposure’s multiple flirtatious hooks “ Have you ever made looove, in a red Lamborghini?” Iconikaseductively wonders on “Red Lambo,” while sexily declaring that her “ body got you bodiiied” over the dainty East Asian melodies of “Got You Bodied.” Each Indecent Exposure track is home to a lyric which would make the most amazing Instagram caption, delivered in Iconika’s soothing and gentle toned voice. “Wild Bitch Show” is the perfect introduction to the rest of what Indecent Exposure has in store blunt brilliance. Indecent Exposure sets off with the luxuriously conceited TarantinoTrap™ song “Wild Bitch Show,” about life as a showgirl “ I love to perform, and you love to watch me do it” Iconika darkly murmurs over midnight black, twangy guitar riffs. “ Indecent Exposure is music for all the women out here doing it on their own – especially the strippers,” Iconika says. ![]() Indecent Exposure is a project designed to light up the encouragement and motivation within you, to make sure you keep chasing your wildest dreams, just like she is (“ I’m so ambitious”). Indecent Exposure is comprised of subdued trap bangers crammed with confrontational declarations of individuality (“ I was born for this, I don’t live for you”) and putting in that work (“ I’m so independent, I’ma grind until I get it”) so that you can live your dreams ( “I’m not gon stop until I get it, I want that cash I gotta have it”). Released in May after an almost one year delay (it was supposed to come out in September 2016), the Indecent Exposure project was worth the long wait. After years of not even a featured verse on somebody else’s track, I was of course wildly excited when I heard that Phlowould be finally reinventing herself as Iconikawith the Indecent Exposureproject. There’s an unexplainable allure about Iconika’s glamorous but starving artist aesthetic (“ I ain’t got no money, I can’t feed myself / I’ve been starving way too long” Iconika confesses on “Late Nights”) which has kept me keeping tabs on her. The urban blogs were fawning over her booming, sassy Internet hit “Shades” from the Crown GoldEP. I first discovered Iconikain 2011 during her Phlo Finister incarnation. Iconika, like my beloved Alison Valentine, is the pop star you’ve never heard of but truly ought to.
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